David lifted the veil of high simulation exhibition is imitation imitation goods to rights

 When the exhibition opened high simulation
David veil, also faced concerns -

first-class imitation of imitation goods are afraid

see a little mold! visitors. It has long stood in the booth, with surprise, eyeing each exhibit - called Song Zhang Zeduan of the more than 95% similarity to the original or eye-opener. They look both images, color, texture, or seal, framed paintings are similar to the original, even years left on the painting a sense of historical vicissitudes, such as small Zhehen, moldy spots also made their faithful.

As one expert put it, a moment's inattention, perhaps painting appraiser will Worry has cropped up, so realistic imitation goods, will not flow into the film field, disrupting the art market? In our existing legal provisions, the imitation goods without copyright, if it is fake, how rights?



life simulation technique continues calligraphy

ancient painting is undoubtedly the leader in traditional Chinese culture, preservation is extremely difficult. Beijing Palace Museum, Ministry of Science and Master Ren Caojing House told reporters that China since ancient times, collection in 1000. With the progress of science and technology, despite the calligraphy of the Cao Jing House said that the Beijing Palace Museum has more than 10 million pieces of precious ancient Chinese paintings and calligraphy, painting them as little as several hundred years of history, more than a thousand years old, it has been. As the years erosion, they have become very fragile and can not easily be out on display. The only work. Wang Ximeng at age 18 painted this painting, and died soon after. As a green landscape masterpiece Song, It pioneered the use of a lot of mineral pigments, the color is extremely beautiful picture, however, after a long time, simply open the picture, paint will fall. Therefore, this scroll from the 70s of last century had not exhibited, in the Treasury of

Tang copies of the Emperor Qianlong's desk this love thing by the British in 1860 robbery, after twists and turns, in the early 20th century by the British Museum acquired a collection of the Museum's Oriental heritage first, to be stored in a called top secret coffers. 150 years, the world's very few people able to see this piece of Masterpieces paintings. It is no exaggeration to say that lifetime can personally look at the

Fortunately, high-simulation technology to allow these paintings have two places at once - instead of using authentic materials exhibited high simulation, both to protect the artworks, but also allows the audience to experience the exquisite art of calligraphy and painting. This reporter recently in Shanghai National Folk Culture Expo, see 800 paintings simulation Pleasant to see not only the audience can even touch and feel every nuance. When the real thing with the Museum If think this is not good enough, you can buy a slowly enjoy hanging at home, really,

imitate how the rights are fake?

in this high-tech to benefit the arts became popular, but popularity is also facing the pain of piracy.

reporter learned that the company had a Ding Xuan cooperation with the museum, the museum collection of Chinese painting and printing of high-simulation. The replication works in accordance with its frame size to 8000 to 12,000 yuan in the market at prices ranging from limited sales. Shortly thereafter, the Palace Museum and the company found on the market, an Imperial Palace collection Ding Xuan Palace and a deeper investigation and finally found the pirates, and their court. But the trial, but that the simulation works pirates do not enjoy copyright piracy that does not exist. Ultimately determine the results of the case for the pirates, unfair competition, rather than copyright infringement.

In fact, a very complicated process. How complicated? Ji Ping to copy the material used, for example, is a traditional Chinese rice paper and silk painting materials, rice paper is too soft, silk with silk thread, the surface rough, uneven density, in the above picture printed on a very difficult, we must transform the material only the technology they spent nearly two years to overcome. Artifacts from a specific photographic technique to ancient paintings made into slides, convert slides to the data entered into the computer, repeated by experts and then the output color production. Set of technical research and development, they spent 4 years, more than 20 million yuan input costs, this does not count the royalties paid to the museum.

recent years, digital scanning technology to process a number of simple, but imitation of an ancient painting still take at least 20 days, the longest to seven or eight months. Encounter more complex imitation goods, have joined the manual techniques, such as copying a powder, silver paintings, to use to screen printing, collotype technology is special come in, in the healthy competition in the regulated markets.

reporter Ting